{"id":6735,"date":"2023-06-03T14:04:14","date_gmt":"2023-06-03T13:04:14","guid":{"rendered":"https:\/\/kinootok.org\/?page_id=6735"},"modified":"2026-03-02T15:33:18","modified_gmt":"2026-03-02T14:33:18","slug":"film-and-guests","status":"publish","type":"page","link":"https:\/\/kinootok.org\/en\/film-and-guests\/","title":{"rendered":"FILMS AND GUESTS"},"content":{"rendered":"
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The Kino Otok – Isola Cinema 2026 film programme is coming soon!<\/strong><\/h2>\n

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Wednesday, 4. 6. 2025<\/strong><\/h3>\n

From Ground Zero<\/strong><\/h3>\n

Ala\u2019a Ayob, Kareem\u00a0Satoum, Alaa Damo, Aws Al-Banna, Rabab\u00a0Khamees,\u00a0E\u2019temad\u00a0Weshah, Mustafa Al-Nabih, Hana Awad, Wissam Moussa, Basil Al-Maqousi, Nidaa Abu Hasna, Mahdi\u00a0Karirah, Palestine, France, Qatar, Jordan,\u00a02024, 115\u2032<\/p>\n

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In Gaza, artists and filmmakers pour their daily lives during the genocide into short fiction, documentary, and experimental films.<\/p>\n

Video on the Beach I<\/strong><\/h3>\n

Beyond the Face<\/strong>, Anja Resman, Slovenia, 2024, 9\u201950\u2019\u2019,\u00a0The Singers<\/strong>, \u200b\u200bFabian Rausch & Zorah Berghammer, Austria, 2024, 16\u2019,\u00a0Rats with Flowery Hats<\/strong>, Hannah Koselj Maru\u0161i\u010d, Slovenia, 2024, 9\u201943\u2019\u2019,\u00a0No Time,\u00a0<\/strong>Tina Furlan,\u00a0Slovenija, 2024, 2\u201913\u201d,\u00a0Oops!<\/strong>, Matic Dominko, Slovenia, 2024, 21\u201912\u2019\u2019,\u00a0I Did Not Stop the Entire Day<\/strong>, Klara Berdais, Croatia, 2024, 8\u2019,\u00a0Vox Humana<\/strong>, Don Josephus Raphael Eblahan, Filipini, 2024, 22\u2019, The Future\u2026 Is Just Like You Imagined<\/strong>, Sara Bezov\u0161ek, Slovenia, 2024, 13\u2019<\/p>\n

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With the support of Austrian Cultural Forum.<\/em><\/p>\n

Une Langue Universelle \/ Universal Langua<\/strong>g<\/strong>e\u00a0<\/strong><\/h3>\n

Matthew Rankin, Canada, 2024, 89\u2019<\/p>\n

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\u00a0A funny and gently moving encounter between Canadian and Iranian cultures and cinemas that cradles the spirit and warms the heart.<\/p>\n

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Thursday, 5. 6.<\/span> 2025<\/span><\/h3>\n

Kout\u00e9<\/span> vwa<\/span> \/ Listen to the Voices Maxime <\/span><\/span><\/span><\/strong><\/span><\/h3>\n

Jean-Baptiste, Belgium, France, French Guiana<\/span>, 2024, 77\u2032<\/span><\/span><\/span><\/p>\n

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Through the eyes of a young boy, this highly personal<\/span> documentary fiction film explores the tragic consequences of colonial rule in French Guiana.<\/span><\/span>\u00a0<\/span><\/p>\n

Otapanje<\/span> vladara<\/span> \/ Wondrous Is the Silence of My Master<\/span><\/span>\u00a0<\/span><\/span><\/strong><\/span><\/h3>\n

Ivan Salati\u0107, Montenegro, Serbia, Croatia, France, Italy<\/span>, 2025, 93\u2019<\/span><\/span><\/span><\/span><\/span><\/p>\n

A mesmerising historical drama about a 19th century Montenegrin poet and ruler and his servant; about homesickness, roots, loyalty, and myths of historical figures.<\/span><\/span>\u00a0<\/span><\/p>\n

Ivan Salati\u0107 will join us after the screening for a Q&A.<\/p>\n

Cast of Shadows\u00a0<\/span><\/strong><\/h3>\n

Sami van Ingen, Finland, 2025, 121\u2019<\/span><\/p>\n

\"\"<\/a><\/p>\n

The filmmaker explores the rich archive of his grandfather, documentary pioneer Robert J. Flaherty, shedding light on the key role of Flaherty\u2019s wife <\/span><\/span>Frances<\/span> <\/span>and daughters in his creative oeuvre.<\/span><\/span>\u00a0<\/span><\/p>\n

Sami van Ingen will join us after the screening for a Q&A.<\/p>\n

Video on the Beach II<\/span><\/span>\u00a0<\/span><\/span><\/strong><\/span><\/span><\/span><\/h3>\n

How I Waited for the Sun<\/span><\/b>, Veronika Francesca \u0160tefan\u010di\u010d, <\/span>Slovenia<\/span>, 2025, 30\u2019, <\/span>Letter to a Friend<\/span><\/b>, Ana Prebil, Belgium, 2024, 3\u201945\u2019\u2019, <\/span>Their Eyes<\/span><\/b>, Nicolas Gourault, France, 2025, 22\u2019, <\/span>You Are the Truck and I Am the Deer<\/span><\/b>, Max Ferguson, Belgium, 2023, 5\u2019, <\/span>Isthmus<\/span><\/b>, Ema Pa\u0161, <\/span>Slovenia<\/span>, 2024, 14\u201915\u2019\u2019, <\/span>We Were No Desert<\/span><\/b>, Agustina Comedi, Chiachio & Giannone, Argentina, 2024, 12\u2019, <\/span>From Peter to Aida<\/span><\/b>, Petra Paveti\u0107 Kranj\u010dec, Croatia, 2025, 6\u201932\u2019\u2019, <\/span>Husky<\/span><\/b>, Lana Bregar, <\/span>Slovenia<\/span>, 2024, 6\u201933\u2019\u2019<\/span>\u00a0<\/span><\/p>\n

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Fiume o morte!\u00a0\u00a0<\/strong><\/span><\/h3>\n

Igor Bezinovi\u0107, Croatia, Italy, Slovenia, 2025, 112\u2019<\/span><\/p>\n

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A playful reconstruction of the years 1919-1920, when the notorious literary and political show-off Gabriele D’Annunzio occupied the nearby town of Rijeka.\u00a0<\/span>\u00a0<\/span><\/p>\n

Selected by young programmers in collaboration with the University of Primorska Faculty of Humanities. <\/span><\/i>Before the screening, they talk to the film director.<\/span><\/i>\u00a0<\/span><\/p>\n

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Friday, 6. 6. 2025<\/span><\/h3>\n

Common Pear and\u00a0La Jet\u00e9e<\/span><\/span><\/strong><\/span><\/h3>\n

Common Pear, <\/span><\/span><\/strong>Gregor Bo\u017ei\u010d, Slovenia, 2025, 15\u2019, <\/span><\/span><\/span>La Jet\u00e9e, <\/span><\/span><\/strong>Chris Marker, France<\/span>, 1962, 28\u2019<\/span><\/span><\/span><\/p>\n

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At the crossroads of the past and the future, this dreamlike yet striking double bill reflects on the nature and importance of human memory, both personal and collective.\u00a0<\/span><\/p>\n

The screening will be followed by a discussion with Marina Gumzi and Gregor Bo\u017ei\u010d.<\/p>\n

With the support of Institut fran\u00e7ais.<\/span><\/i><\/p>\n

L\u2019Empire \/ The Empire\u00a0<\/strong><\/span><\/h3>\n

Bruno Dumont, France, Italy, Portugal, Germany, Belgium, 2024, 110\u2032<\/span><\/p>\n

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Strange events in an idyllic French village escalate into a battle of unearthly proportions, a bizarre sci-fi parody.<\/span>\u00a0<\/span><\/p>\n

Generationen von Bildern \/ Generations of Images\u00a0<\/strong><\/span><\/h3>\n

Johannes Gierlinger, Albania, Austria, 2025, 103\u2019<\/span><\/p>\n

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Research into Albanian film archives reveals images of the regime and the regime of images to explore how much history still resonates in the Albanian present.\u00a0<\/span>\u00a0<\/span><\/p>\n

The screening will be followed by a discussion with Johannes Gierliner and Mira Klug.<\/p>\n

With the support of Austrian Cultural Forum.<\/span><\/i>\u00a0<\/span><\/p>\n

Night Moves\u00a0<\/strong><\/span><\/h3>\n

Kelly Reichardt, USA, 2013, 112\u2032<\/span><\/p>\n

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Part of a retrospective produced by the Slovenian Cinematheque in cooperation with the Ljubljana Film Festival <\/span>Liffe <\/span>and Kino Otok and to be screened in the autumn, the film follows three environmentalists who take radical action and try to live with the consequences.\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n

Cinema in Dialogue with the Written Word<\/span><\/span><\/span><\/span><\/strong><\/span>\u00a0<\/span><\/span><\/span><\/span><\/strong><\/span><\/h3>\n

Lady Lazarus<\/span><\/span><\/strong>, Sandra <\/span>Lahire<\/span>, UK, 1991, 24\u2019, <\/span><\/span>Gli<\/span> anni \/ The Years<\/span><\/span><\/strong>, Sara <\/span>Fgaier<\/span>, Italy, France<\/span>, 2018, 20\u2019, <\/span><\/span>You and Me<\/span><\/span><\/strong>, Karsten Krause, Germany<\/span>, 2010, 4\u2019<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

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Archival footage and a kaleidoscope of fragmented images enter into dialogue with memory, diary entries, poetry, extracts from prose texts, and elements of autofiction. Film critic Veronika Zakonj\u0161ek discusses cinema as an intimate immersion into the subjective experience of a time, body, and space with director Sara Fgaier and <\/span>all-round artist Toma\u017e Grom<\/span>.\u00a0<\/span>\u00a0<\/span><\/p>\n

With the support of Italian Cultural Institute.<\/span><\/i>\u00a0<\/span><\/p>\n

Cuori senza frontiere \/ The White Line\u00a0<\/span><\/strong><\/h3>\n

Luigi Zampa, Italy, 1950, 86\u2019<\/span><\/p>\n

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A humane film about the tragedy of a small town on the border between Italy and Yugoslavia being split in half by the post-WW II line of demarcation.\u00a0<\/span>\u00a0<\/span><\/p>\n

In cooperation with the project ‘EAST\u2014WEST Border through film and history’, which is part of the official programme of the European Capital of Culture GO! 2025. <\/span><\/i>Followed by a presentation of Kinoatelje and Otok Institute\u2019s projects that are part of the official GO! 2025 programme.<\/span><\/i>\u00a0<\/span><\/p>\n

Sim\u00f3n de la monta\u00f1a \/ Simon of the Mountain<\/strong><\/span><\/h3>\n

Federico Luis, Argentina, Chile, 2024, 97\u2019<\/span><\/p>\n

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A lonely young man befriends a group of young people with special needs and together, in a world not designed for them, they begin to set their own rules for love and happiness.<\/span><\/span>\u00a0<\/span><\/p>\n

Video on the Beach III<\/span><\/span><\/span><\/span><\/strong><\/h3>\n

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Heirloom<\/span><\/b>, Lucija Rosc, <\/span>Sloveni<\/span>a<\/span>, 2024, 24\u201919\u201d, <\/span>Severinin pas \/ Dog of a Famous Person<\/span><\/b>, Jozo Schmuch, Croatia<\/span>, 2024, 19\u2019, <\/span>Where the Log Went,<\/span><\/b>Tara Caruso Bizjak, <\/span>Slovenia<\/span>, 2024, 10\u201912\u201d, <\/span>Sixty-seven Milliseconds<\/span><\/b>, Fleuryfontaine, France, 2025, 15\u2019, <\/span>Gr\u010dke marelice \/ Greek Apricots<\/span><\/b>, Jan Krevatin, Hrva\u0161ka, Slovenia, 2024, 20\u2019, <\/span>The Ninth Village<\/span><\/b>, Gregor Kocjan\u010di\u010d, <\/span>Slovenia<\/span>, 2025, 4\u2019, <\/span>\u00a0\u017darko, razmazit \u0107e\u0161 dite! \/ \u017darko, You Will Spoil the Child!<\/span><\/b>, Veljko Popovi\u0107, Milivoj Popovi\u0107, Croatia, France, 2024, 13\u201937\u201d<\/span>\u00a0<\/span><\/p>\n

Pooja, Sir\u00a0<\/strong><\/span><\/h3>\n

Deepak Rauniyar, Nepal, USA, Norway, 2024, 118\u2019<\/span><\/p>\n

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This<\/span> gripping crime thriller follows DI Pooja as she investigates the kidnapping of two boys along Nepal\u2019s troubled border to India.<\/span><\/span>\u00a0<\/span><\/p>\n

Il volo \/ The Flight\u00a0<\/strong><\/span><\/h3>\n

Silvano Agosti, Italy, 1975, 32\u2032<\/span><\/p>\n

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\u201cBasaglia invited me to Trieste, where he had managed to borrow a plane, wanting to take a walk in the sky with patients who had always been confined. The film is a simple chronicle of this happy day.\u201d (Silvano Agosti)\u00a0<\/span>\u00a0<\/span><\/p>\n

The screening will be followed by a discussion with Mila Mazi\u0107.<\/p>\n

In cooperation with the Kino Basaglia project, which is part of the official programme of the European Capital of Culture GO! 2025.<\/span><\/i>\u00a0<\/span>\u00a0<\/span><\/p>\n

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Saturday, 7<\/span>. 6. 2025<\/span><\/span><\/h3>\n

Colorful Worlds for Little Dreamers 4+\u00a0<\/strong><\/span><\/h3>\n

Lithuania, 30\u2032, no dialogue<\/span><\/span>\u00a0<\/span><\/span><\/p>\n

Patrikas \/ The Perfect Fit<\/strong>, <\/span><\/span>Meinardas<\/span> Valkevi\u010dius<\/span>, 2022, 10\u201926\u201d, <\/span><\/span>Kanopos<\/span>ir<\/span> pa\u010di\u016b\u017eos<\/span><\/strong> \/ Hoofs on Skates<\/strong>, <\/span><\/span>Ignas <\/span>Meil\u016bnas<\/span>, 2024, 12\u201924\u201d, <\/span><\/span>Katu<\/span> katu<\/span>, <\/span><\/span><\/strong>Giedr\u0117 <\/span>Naru\u0161yt\u0117 <\/span><\/strong>Boots,<\/strong> 2021, 5\u201930\u201d, <\/span><\/span>Mo\u010diut\u0117s<\/span> blynai<\/span><\/strong> \/ Grandma\u2019s Pancakes<\/strong>, <\/span><\/span>Vykintas <\/span>Labanauskas<\/span>, Dominyka <\/span>Adomaityt\u0117<\/span>, 2019, 2\u2032<\/span><\/span><\/span><\/p>\n

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A programme of stylistically diverse animated films, in which courage overcomes the most seemingly daunting obstacles.\u00a0<\/span>\u00a0<\/span>In cooperation with the Vilnius Short Film Festival.\u00a0<\/span><\/i><\/p>\n

Followed by \u00a0an optical toys workshop. <\/span><\/span><\/span>A playful way to learn the ABCs of animated cinema and its history.<\/span>\u00a0<\/span><\/i>\u00a0<\/span>Admission is free to both the screening and the workshop.<\/span><\/i>\u00a0<\/span><\/p>\n

Nech je svetlo \/ Let There Be Light\u00a0\u00a0<\/strong><\/span><\/h3>\n

Marko \u0160kop, Slovakia, Czechia, 2019, 93\u2019<\/span><\/p>\n

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Focusing on a father and son, the story reflects on a society steeped in traditionalism and machismo, and the mechanisms enabling the rise of the radical right in Slovakia and beyond.<\/span>\u00a0<\/span><\/p>\n

The screening will be followed by a discussion with Marko \u0160kop and Igor Mirkovi\u0107.<\/p>\n

V\u00e9letlen\u00fcl \u00edrtam egy k\u00f6nyvet \/ I Accidentally Wrote a Book 8+\u00a0<\/strong><\/h3>\n

N\u00f3ra Lakos<\/span>, <\/span><\/b>Hungary, the Netherlands, 2024, 98\u2032, in Hungarian with Slovene subtitles<\/span>\u00a0<\/span><\/span>\u00a0<\/span><\/span><\/p>\n

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Can books be written by accident? A vivid and playful tale of creativity, imagination and the trials and tribulations of growing up.<\/span>\u00a0<\/span><\/i>\u00a0<\/span><\/p>\n

This screening is accessible to <\/span><\/i>the blind and partially-sighted, and the deaf and hard of hearing, with audio description, Slovene subtitles, and Slovene Sign language interpreting<\/span><\/i>.<\/span><\/i>\u00a0<\/span><\/p>\n

Selected by young programmers from Elvira Vatovec Prade Primary School. After the screening, they talk to the film director.\u00a0<\/span><\/i>\u00a0<\/span><\/p>\n

Sulla terra leggeri \/ Weightless\u00a0\u00a0<\/strong><\/span><\/h3>\n

Sara Fgaier, Italy, 2024, 94\u2032<\/span><\/p>\n

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Meandering through time and space, this tender tale seeks to answer what happens when we forget the love of our life.<\/span>\u00a0<\/span><\/i>\u00a0<\/span><\/p>\n

The screening will be followed by a discussion with Sara Fgaier.<\/p>\n

With the support of Italian Cultural Institute.<\/span><\/i>\u00a0<\/span><\/p>\n

Matti da slegare \/ Fit to Be Untied<\/b><\/span>\u00a0<\/span><\/h3>\n

Sandro Petraglia, Stefano Rulli, Silvano Agosti, Marco Bellocchio, Italy, 1975, 135\u2019<\/span>\u00a0<\/span><\/p>\n

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A groundbreaking documentary, a historical document of exceptional value, and a compelling example of Italian activist cinema, the film supports the premises of psychiatrist Franco Basaglia and contributes to the political and social commitment to abolish psychiatric hospitals. Followed by a discussion on Basaglia, an important reformer of psychiatric institutions, and on the representation of his work in cinema.\u00a0<\/span>\u00a0<\/span><\/p>\n

The screening will be followed by a discussion with Stefano Rulli and Mila Lazi\u0107 about the film and the work of Franco Basaglia.<\/p>\n

In cooperation with the Kino Basaglia project, which is part of the official programme of the European Capital of Culture GO! 2025.<\/span><\/i>\u00a0<\/span>\u00a0<\/span><\/p>\n

Video on the Beach IV\u00a0\u00a0<\/strong><\/span><\/h3>\n

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Do You Know Where the Birds Live?, <\/span><\/b>Anja Paternoster, Slovenia, South Korea, 2025, 3\u2019, <\/span>Mentor<\/span><\/b>, Tinkara Klip\u0161teter, <\/span>Slovenia<\/span>, 2024, 15\u2019, <\/span>Getty splavi<\/span><\/b> \/<\/span> Getty Abortions,<\/span><\/b>Franzis Kabisch, Austria, Germany, 2023, 21\u2019, <\/span>World at Stake<\/span><\/b>, Total Refusal (Susanna Flock, Adrian Jonas Haim, Jona Kleinlein), Austria, 2025, 17\u2019, <\/span>Hell Thunders<\/span><\/b>, Milan Baj\u010deti\u0107, <\/span>Slovenia<\/span>, 2024, 13\u201942\u201d, <\/span>Nema mjesta \/ No Room<\/span><\/b>, Jelena Oroz, Croatia, 2024, 6\u201922\u201d, <\/span>Vel Vet Vel_Festival Film<\/span><\/b>, Miha Mo\u017eina, Slovenia, Croatia, 2024, 24\u201931\u201d<\/span><\/p>\n

With the support of Austrian Cultural Forum.<\/span><\/i>\u00a0<\/span><\/p>\n

Man of Aran\u00a0\u00a0<\/strong><\/span><\/h3>\n

Robert J. Flaherty, UK, 1934, 77\u2019<\/span>\u00a0<\/span><\/p>\n

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A turbulent journey through time to a fishing village in the Aran Islands, where the sea is both the main source of survival and a relentless enemy.\u00a0<\/span>\u00a0<\/span><\/p>\n

With live music accompaniment by Polona Jane\u017ei\u010d!<\/span><\/i>\u00a0<\/span><\/p>\n

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Sunday, 8. 6.<\/span><\/span> 2025<\/span><\/h3>\n

Ghatashraddha \/ The Ritual\u00a0<\/span><\/strong><\/h3>\n

Girish Kasaravalli, India, 1977, 108\u2019<\/span><\/p>\n

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The debut <\/span>work <\/span>by one of the pioneers of the Indian New Wave<\/span> is <\/span>a film<\/span> about the cruel ostracism of a young widow who breaks the rigid code of the orthodox Brahmin caste.\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n

Sauvages! \/ Savages 8+\u00a0<\/strong><\/span><\/h3>\n

Claude Barras, Switzerland, France, Belgium, 2024, 87\u2032, dubbed in Slovene<\/span><\/span>\u00a0<\/span><\/span><\/p>\n

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\u00a0<\/span>Keira, Sela\u00ef and young orangutan Oshi join forces to protect Borneo’s tropical forest, discovering the power of nature, community, and friendship.<\/span>\u00a0<\/span><\/p>\n

Followed by an creative workshop <\/span>‘<\/span>Plastic Gobblers<\/span>‘<\/span><\/span>\u202f<\/span><\/span>5+<\/span><\/span><\/p>\n

A recycling workshop to explore the underwater world and its pollution, and to make sea creatures out of plastic waste.\u00a0<\/span>\u00a0<\/span>Free admission. In collaboration with Gumb.<\/span><\/i>\u00a0<\/span><\/p>\n

Le chambre de Damien \/ Damian\u2019s Room 14+\u00a0<\/strong><\/span><\/h3>\n

Jasna Krajinovi\u010d, Belgium, Slovenia, 2008, 73\u2032<\/span>\u00a0<\/span><\/p>\n

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This sensitive yet relentless portrait of the lost youth of the socially alienated Damjan is one of the highlights of Slovenian documentary cinema.\u00a0<\/span>\u00a0<\/span><\/p>\n

Selected by young programmers in collaboration with the Slovenian Cinematheque. After the screening, they talk to the film director.<\/span><\/i>\u00a0<\/span><\/p>\n

Restitucija, ili, San i java stare garde \/ Eighty Plus<\/span><\/strong>\u00a0\u00a0<\/strong><\/h3>\n

\u017delimir \u017dilnik, Serbia, Slovenia, 2025, 118\u2019<\/span>\u00a0<\/span><\/p>\n

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Through a series of encounters, the film shows the life of eighty-something Stevan and his spirit of solidarity as he returns to Serbia due to denationalisation after decades of living in Germany.<\/span>\u00a0<\/span><\/p>\n

\u017delimir \u017dilnik will join us for a discussion after the screening.<\/p>\n

Young Hearts 12+\u00a0<\/strong><\/span><\/h3>\n

Anthony Schatteman, Belgium, the Netherlands, 2024, 97\u2032, <\/span>in Dutch and French with Slovene subtitles<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

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The film shows the transition from the easy everyday life of adolescence to the rapid heartbeat, a symptom of first love.\u00a0<\/span>\u00a0<\/span><\/p>\n

With the support of the Flemish Government.<\/span><\/i>\u00a0<\/span><\/p>\n

Grand Tour\u00a0<\/strong><\/span><\/h3>\n

Miguel Gomes, Portugal, Italy, France, 2024, 129\u2019<\/span>\u00a0<\/span><\/p>\n

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A whirlwind love story set in early 20th century colonial Asia, the film takes us on a dreamlike journey through past and present.<\/span>\u00a0<\/span><\/p>\n

Video on the Beach V\u00a0<\/strong><\/span><\/h3>\n

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The Tower 1<\/span><\/b>, Andra\u017e \u017digart, <\/span>Slovenia<\/span>, 2025, 4\u201930\u2019\u2019, <\/span>Inventory, <\/span><\/b>Ivan Markovi\u0107, Serbia, 2025, 21\u2019, <\/span>Blooming<\/span><\/b>, Lara \u0160ifrer, <\/span>Slovenia<\/span>, 2025, 25\u201917\u201d, <\/span>Leptir<\/span><\/b> \/<\/span> Butterfly,<\/span><\/b>Sun\u010dana Brkulj, Croatia, Denmark, 2024, 8\u201907\u201d, <\/span>Cuando todo arde<\/span><\/b> \/ <\/span>When Everything Burns<\/span><\/b>, Maria Belen Poncio, Argentina, USA, 2024, 15\u2019,<\/span>\u00a0Starvation<\/span><\/b>, Aleksandra Stosi\u0107, <\/span>Slovenia<\/span>, 2024, 12\u2019, <\/span>Catlands<\/span><\/b>, Ana \u010cigon, Slovenia, 2024, 9\u201944\u2019\u2019<\/span>, <\/span>Gerhard<\/span><\/b>, Ulu Braun, Germany, 2025, 10\u201915\u201d<\/span><\/p>\n

Vermiglio\u00a0<\/strong><\/span><\/h3>\n

Maura Delpero, Italy, France, Belgium, 2024, 119\u2019<\/span>\u00a0<\/span><\/p>\n

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In a remote village in the Italian Alps just before the end of World War II, the love between a local girl and an incomer sets the wheel of fate in motion.<\/span> Venice Silver Lion winner!<\/span>\u00a0<\/span><\/p>\n

With the support of Italian Cultural Institute.<\/span><\/i>\u00a0<\/span><\/p>\n

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