{"id":6735,"date":"2023-06-03T14:04:14","date_gmt":"2023-06-03T13:04:14","guid":{"rendered":"https:\/\/kinootok.org\/?page_id=6735"},"modified":"2026-05-10T09:58:41","modified_gmt":"2026-05-10T08:58:41","slug":"film-and-guests","status":"publish","type":"page","link":"https:\/\/kinootok.org\/en\/film-and-guests\/","title":{"rendered":"FILMS AND GUESTS"},"content":{"rendered":"
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Wednesday, 10. 6. 2026<\/strong><\/h3>\n

Good Valley Stories \/ Historias del buen valle<\/span><\/b>\u00a0<\/span><\/h3>\n

Jos\u00e9 Luis Guerin, Spain, France, 2025, 125\u2019, ap + svp<\/span>\u00a0<\/span><\/p>\n

The film closely documents the stories of generations of residents in\u00a0Vallbona, a long-forgotten,\u00a0now lively Barcelona suburb\u00a0facing\u00a0an uncertain future.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

With support from the Embassy of the Kingdom of Spain.<\/span><\/i>\u00a0<\/span><\/p>\n

My Semba\u00a0\/ Meu semba<\/span><\/b><\/h3>\n

Hugo\u00a0Salvaterra, Angola, 2026, 93\u2019,\u00a0ap\u00a0+\u00a0svp<\/span>\u00a0<\/span><\/p>\n

A colorful city symphony set to the rhythms of rap poetry reveals stories of unwavering resilience and dignity amid the harsh daily life of Luanda\u2019s working people.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Introduction: <\/span>Hugo\u00a0Salvaterra<\/span>\u00a0<\/span><\/p>\n

Video on the Beach I: Beyond Space<\/span><\/b>\u00a0<\/span><\/h3>\n

Found & Lost<\/span><\/b>, Reza Rasouli, Austria, 2025, 17\u201922\u2019\u2019, <\/span>ComputerVision.py<\/span><\/b>, Lenart Su\u0161nik, Slovenia, 2026, 3\u201942\u2019\u2019, <\/span>DEATH\u00a0\u2013\u00a0An Introduction for Beginners: A Handbook with Regulations, Norms, and Useful Tips. Third, Revised Edition<\/span><\/b>, Martin Horvat, Slovenia, 2025, 24\u201903\u2019\u2019, <\/span>Our Lady of Rot<\/span><\/b>, Bibi Erjavec, Slovenia, 2025, 5\u201908\u2019\u2019, Grandma Nai Who Played Favorites<\/b><\/span> \/ Chao Somnop Chet, <\/span><\/b>Chheangkea, <\/span><\/span>Cambodia, France, USA, 2025, 19\u2019,\u00a0<\/span>Samba Infinito<\/span><\/b>, Leonardo Martinelli, Brazil, France, 2025, 15\u201925\u2019\u2019, <\/span>Stop!<\/span><\/b>, Brina Fekonja, Slovenia, 2025, 2\u201920\u2019\u2019, When I Was Little, I Wasn’t Afraid <\/b><\/span>\/ Toen Ik Klein Was, Was Ik Niet Bang<\/span><\/b>, Guido F. G. Jeurissen, The Netherlands, 2025, 20\u2019<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Thursday, 11. 6.<\/span> 2026<\/span><\/h3>\n

KINO BASAGLIA: Alda Merini \u2013 A Woman on Stage \/ Alda Merini – Una donna sul palcoscenico<\/span><\/b><\/h3>\n

Cosimo Damiano Damato, Italy, 2009\/2021, 60\u2019, sp<\/span>\u00a0<\/span><\/p>\n

A deeply personal account in which the poet Alda Merini bares her soul, recounting life in a\u00a0mental health institution, love, children, and the importance of being a poet.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

\u202f<\/span>My\u00a0Friend\u00a0Sely<\/span><\/b>\u00a0<\/span><\/h3>\n

Maja Alibegovi\u0107, Croatia, 2025, 45′, sp + avp<\/span>\u00a0<\/span><\/p>\n

The filmmaker returns to the place where she grew up to tell the story of her friend, the rebellious hunter Sely, raising the questions of intergenerational friendship, emancipation, and self-realisation.\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Screened with:<\/strong>\u00a0<\/strong>
\n<\/span>Bambi\u00a0By\u00a0the\u00a0River<\/span><\/b>
\n<\/span>Ester\u00a0Ivaki\u010d, Italy,\u00a0Slovenia, 2025, 6\u2019,\u00a0sp\u00a0+\u00a0avp<\/span>\u00a0<\/span><\/p>\n

Two girls want to go to the cinema to see\u00a0<\/span>Bambi<\/span><\/i>, but the screening is sold out.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

In collaboration with\u00a0Kinoatelje.<\/span><\/i>\u00a0<\/span><\/p>\n

\u00a0T<\/span>alk<\/span>:\u00a0<\/span><\/b>Maja Alibegovi\u0107,\u00a0<\/span>Ester\u00a0Ivaki\u010d<\/span>\u00a0<\/span><\/p>\n

Les Mis\u00e9rables\u00a0<\/span><\/b><\/h3>\n

Claude Lelouch, France, 1995, 175′, ap<\/span>\u00a0<\/span><\/p>\n

This epic, nuanced, and\u2014for many\u2014the finest film adaptation of Hugo\u2019s classic transposes the novel\u2019s events to the 20th century, delivering a film-within-a-film while preserving the essence of the original work.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Masterclass:\u00a0Laurent\u00a0Tesseyre\u00a0<\/span>\u00a0<\/span><\/p>\n

In collaboration with\u00a0the\u00a0<\/span><\/i>Slovenian Association of Set Designers, Costume Designers, and Make-up Artists<\/span><\/i>, with support from\u00a0<\/span><\/i>The Slovenian Federation of Filmmakers’ Guilds.<\/span><\/i>\u00a0<\/span><\/i>\u00a0<\/span>\u00a0<\/span><\/p>\n

Vasko Pregelj \u2013 The Constants of Vanishing<\/span><\/b>\u00a0<\/span><\/h3>\n

Vasko Pregelj, Slovenia (Yugoslavia), 52′<\/span>\u00a0<\/span><\/p>\n

Dreams<\/span><\/b>, 1966, 5\u2019,<\/span>\u00a0Fantasy<\/span><\/b>, 1965, 8\u2019,<\/span>\u00a0Old Courtyard<\/span><\/b>, 1967, 11\u2019,\u00a0<\/span>Requiem<\/span><\/b>, 1966, 14\u2019, <\/span>Nocturne<\/span><\/b>,\u00a01965, 14\u2019\u00a0<\/span>\u00a0<\/span><\/p>\n

In the late 1960s,\u00a0Vasko Pregelj makes a series of\u00a0visually sophisticated, darkly grotesque, and baroquely surreal experimental films. As sound has been preserved for only two of the five films in the programme,\u00a0<\/span>Tine \u2018Nitz\u2019<\/span><\/b>\u00a0<\/span>Mulej\u00a0Vrabi\u010d\u00a0<\/span><\/b>will create a live soundscape for the event by sampling existing recordings and reinterpreting them in a contemporary ambient style.\u00a0<\/span>In collaboration with the Slovenian Cinematheque.<\/span><\/i>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

A Year of School\u00a0\/ Un anno di scuola<\/span><\/b><\/h3>\n

Laura Samani, Italy, France, 2025, 102\u2019, ap + svp<\/span>\u00a0<\/span><\/p>\n

After moving from Sweden to Trieste, Fred enrolls in a technical high school, where, as the only girl in her class, she experiences the role society assigns to women in a male-dominated world.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

In collaboration with Cinema Istria.<\/span><\/i>\u00a0<\/span><\/p>\n

I<\/span>ntroduction: <\/span>Giacomo Covi, Pietro Giustolisi, Samuel Volturno<\/span>\u00a0<\/span><\/p>\n

Video on the Beach II: Spaceless<\/span><\/b>\u00a0<\/span><\/h3>\n

Welcome Home<\/span><\/b>, Filip Jembrih Jandras, Slovenia, Croatia, 2025, 18\u201956\u2019\u2019, <\/span>Etaf<\/span><\/b>, Maya Salvini, Slovenia, 2025, 13\u2019, <\/span>things that\u00a0i\u00a0was gathering<\/span><\/b>, Ekaterina Zhuzhleva, <\/span>Finland, Belgium, Portugal, 2025, 6\u201930\u2019\u2019,\u00a0<\/span>Suiside\u00a0Fish<\/span><\/b>, Tenej Davidovi\u0107, Slovenia, 2025, 9\u201949\u2019\u2019, Housing Problem<\/b><\/span>\u00a0\/ Stambeno pitanje<\/span><\/b>, Marko Pleji\u0107, Croatia, 2025, 14\u201945\u2019\u2019, <\/span>Last Shot<\/span><\/b>, Parham Rahimzadeh, The Netherlands, 2026, 17\u201949\u2019\u2019, Concrete Kids <\/b><\/span>\/<\/span><\/b>\u00a0<\/span>Betono vaikai<\/span><\/b>, Saulius Baradinskas, Lithuania, 2026, 20\u2019, <\/span>The Ninth Peak<\/span><\/b>, Gregor Kocjan\u010di\u010d, Slovenia, 2026, 6\u201931\u2019\u2019<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Friday, 12. 6. 2026<\/span><\/h3>\n

God Will Not Help \/ Bog ne\u0107e\u00a0pomo\u0107i<\/span><\/b>\u00a0<\/span><\/h3>\n

Hana\u00a0Ju\u0161i\u0107, Croatia,\u00a0Italy,\u00a0Romania,\u00a0Greece, France,\u00a0Slovenia, 2025, 137\u2019,\u00a0sp\u00a0+\u00a0avp\u00a0<\/span>\u00a0<\/span><\/p>\n

In this raw, poetic neo-western, the arrival of a mysterious stranger in the Croatian hills in the early 20th century disrupts the established order of a traditional shepherding community.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Zebra Poetry Film Festival Presents<\/span><\/b>\u00a0<\/span><\/h3>\n

Programme of shorts, 50\u2019, ap<\/span>\u00a0<\/span><\/p>\n

Best shorts from the Zebra Poetry Film Festival, a\u00a0platform\u00a0<\/span>showcasing\u00a0short films based on poetry since 2002, brought to Kino Otok by its producer,<\/span>\u00a0Berlin-based Haus f\u00fcr\u00a0Poesie.\u00a0<\/span>\u00a0<\/span><\/p>\n

In collaboration with Cinema Istria.<\/span><\/i>\u00a0<\/span><\/p>\n

T<\/span>alk: Thomas Zandegiacomo Del Bel, art director<\/span><\/p>\n

The Virgin of Pessac<\/b>\u00a0<\/span>\/ La Rosi\u00e8re de Pessac<\/span><\/b><\/h3>\n

Jean Eustache, France, 1968, 65\u2019, sp + avp<\/span>\u00a0<\/span><\/p>\n

During the French student protests of May 1968, Eustache\u2019s first documentary follows the century-old tradition of the annual\u00a0selection\u00a0of the \u201cmost virtuous\u201d girl in the village.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

In collaboration with the Slovenian Cinematheque.<\/span><\/i>\u00a0<\/span><\/p>\n

My Armenian Phantoms \/ Mes fant\u00f4mes arm\u00e9niens<\/span><\/b><\/h3>\n

Tamara Stepanyan, France, Armenia, Qatar, 2025, 75\u2019, ap + svp<\/span>\u00a0<\/span><\/p>\n

This\u00a0intimate journey through the forgotten world of Armenian cinema explores a tradition that has produced some of the most visually stunning and thematically powerful works of its time.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Talk: Tamara Stepanyan<\/span>\u00a0<\/span><\/p>\n

Orphan \/ \u00c1rva<\/span><\/b><\/p>\n

L\u00e1szl\u00f3\u00a0Nemes, Hungary,\u00a0France,\u00a0Germany, UK, 2025, 132\u2019,\u00a0sp\u00a0+\u00a0avp<\/span>\u00a0<\/span><\/p>\n

A harrowing,\u00a0sombre\u00a0film about a boy named Andor who, in the wake of the 1956 Hungarian Uprising, finds himself confronting dark family secrets in an occupied country still\u00a0recovering\u00a0from WWII.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

If You Are Afraid You Put Your Heart into Your Mouth and Smile\u00a0\/ Wenn du Angst hast nimmst du dein Herz in den Mund und l\u00e4chelst\u00a0<\/span><\/b><\/p>\n

Marie Luise Lehner, Austria, 2025, 87′,\u00a0 Slovene descriptive subtitles + szj + avp<\/span>\u00a0<\/span><\/p>\n

In high school, Anna struggles with feelings of shame stemming from her social background. A story of belonging, caring for others, friendship, and solidarity,\u00a0set to a rich soundtrack.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Talk: Marie Luise Lehner<\/span>\u00a0<\/span><\/p>\n

Habibi\u00a0Hussein<\/span><\/b>\u00a0<\/span><\/h3>\n

Alex Bakri, Palestine, Germany,\u00a0Saudi\u00a0Arabia, 2025, 96\u2019,\u00a0ap<\/span>\u00a0<\/span><\/p>\n

A cinematic portrait of projectionist Hussein Darbi, serving as a tribute to all those dedicated to preserving film heritage even under occupation, and a reflection on the pitfalls of cultural colonialism.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Yugo Goes to America\u00a0\/ Yugo ide u Ameriku<\/span><\/b>\u00a0<\/span><\/p>\n

Aleksa\u00a0Borkovi\u0107, Filip Gruji\u0107, Serbia,\u00a0Croatia, 2026, 87\u2019,\u00a0sp\u00a0+\u00a0avp<\/span>\u00a0<\/span><\/p>\n

In the iconic Yugo, this road documentary takes us on a journey of brotherhood and remembrance, passing by\u00a0numerous\u00a0auto repair shops and warm-hearted encounters from NYC to LA.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Introduction: <\/span>Aleksa\u00a0Borkovi\u0107, Filip Gruji\u0107<\/span>\u00a0<\/span><\/p>\n

Video on the Beach III: <\/span><\/b>Premi\u010dnost<\/span><\/b>\u00a0<\/span><\/h3>\n

Fa\u010duk<\/span><\/b>, Maida Srabovi\u0107, Croatia, Slovenia, 2025, 12\u201947\u2019\u2019, <\/span>Peaceful Protest<\/span><\/b>, Toma, Slovenia, 2025, 4\u201957\u2019\u2019,<\/span>\u00a0Preventive Attack<\/span><\/b>, Ajda Zupan, Slovenia, Jordan, 2026, 10\u201951\u2019\u2019, <\/span>Some Things Are a Sign, But Some Aren’t<\/span><\/b>, Danaja Kurnik, Slovenia, 2025, 4\u201920\u2019\u2019, <\/span>How to Listen to Fountains<\/span><\/b>, Eva Sajanov\u00e1,\u00a0 Slovakia, 2025, 10\u201907\u2019\u2019,<\/span>\u00a0Deconstruction<\/span><\/b>, Neda Ivanovi\u0107, Slovenia, 2025, 3\u201909\u2019\u2019, <\/span>A Fistful of Feathers<\/span><\/b>, Emanuel Krajnc, Slovenia, 2026, 17\u201916\u2019\u2019, <\/span>S The Wolf<\/span><\/b>, Sameh Alaa, France, Egypt, 2025, 10\u201930\u2019\u2019, <\/span>No Skate!<\/span><\/b>, Guil Sela, France, 2025, 24\u2019, <\/span>\u00a0Caries<\/span><\/b>, Aline H\u00f6chli, Switzerland, 2025, 9\u201941\u2019\u2019<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Poetry\u00a0in\u00a0Images\u00a0and\u00a0Words<\/span><\/b>\u00a0<\/span><\/h3>\n

An evening of film & poetry, 60\u2019, in Slovene and Italian<\/span>\u00a0<\/span><\/p>\n

A program of short films inspired by the poetry of the author whose name appears next to the title. The films were made by young filmmakers under the tutelage of directors Paolo Comuzzi, Jan Cvitkovi\u010d, and Maja Prettner as part of the project \u2018The Poetry of Dialects and the Landscape of Images.\u2019 The screening will be accompanied by a reading of poetry by Maurizio Benedetti and others.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

In collaboration with Cinema Istria. With support from the Italian Cultural Institute.<\/span><\/i>\u00a0<\/span><\/p>\n

From the Port of Isola <\/span><\/b>\u2013\u00a0Maurizio\u00a0Benedetti<\/span>
\n<\/span>El Color Griso \/ The Colour Grey<\/span><\/b>\u00a0\u2013 Dorina\u00a0Ber\u017ean\u00a0<\/span>
\n<\/span>San Martino di Carso<\/span><\/b>\u00a0\u2013 Giuseppe\u00a0Ungaretti<\/span>
\n<\/span>Under\u00a0the\u00a0Bridge \/ Sotto il ponte<\/span><\/b>\u00a0\u2013 Ana Pepelnik<\/span>
\n<\/span>Loneliness \/ Solitudine<\/span><\/b>\u00a0\u2013 Lili Novy<\/span>\u00a0<\/span><\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Saturday, 13<\/span>. 6. 2026<\/span><\/span><\/h3>\n

How It Grows\u2026 3 (<\/span><\/b>4+)<\/span><\/b>\u00a0<\/span><\/h3>\n

Ema Muc, Slovenia, 2026, 20′, in Slovene<\/span>\u00a0<\/span><\/p>\n

New episodes of the popular animated series portray the life cycles of a dolphin, wolf, beaver, and octopus.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Workshop: Look how it grows, hops, swims\u2014my quirky little animal<\/span><\/b>\u00a0<\/span><\/p>\n

Join us for an\u00a0animation workshop\u00a0to\u00a0create\u00a0quirky\u00a0little animals and watch them come to life right before\u00a0your eyes.\u00a0<\/span>\u00a0<\/span><\/p>\n

Admission is free for both the screening and the workshop.<\/span><\/i>\u00a0<\/span><\/p>\n

Mary Anning \/ Mary Anning, chasseuse de fossils<\/span><\/b> (<\/span>7+)<\/span><\/b>\u00a0<\/span><\/h3>\n

Marcel Barelli, Switzerland, Belgium, 2025, 72′, dubbed in Slovene<\/span>\u00a0<\/span><\/p>\n

The animated film depicts Mary, a brave and unruly girl\u00a0who\u00a0breaks\u00a0the rules and norms of her\u00a0time,\u00a0and\u00a0grows up to become a\u00a0palaeontologist\u00a0and one of the first female scientists.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Film and archaeology walk<\/span><\/b>\u00a0<\/span><\/p>\n

After the screening,\u00a0join us for\u00a0a walk to the Archaeological Park San Simon and learn about the lives of the Romans,\u00a0who once lived there.\u00a0<\/span>Admission is free for the walk.<\/span><\/i>\u00a0<\/span><\/p>\n

Forget\u00a0Me Not \/ Non ti scordar di me\u00a0<\/span><\/b><\/h3>\n

Anja Medved, Slovenia, 2025, 104\u2019, ap + svp<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Personal childhood memories of the filmmaker and the participants reconstruct the landscape of memory in the border region of Gorizia, a place ravaged by war and political violence.<\/span>\u00a0<\/span><\/p>\n

\u00a0Ta<\/span>lk:<\/span>\u00a0<\/span><\/b>Anja Medved, Nadja Velu\u0161\u010dek<\/span>\u00a0<\/span><\/p>\n

Home Is the Ocean<\/span><\/b> (12+)<\/span><\/b>\u00a0<\/span><\/h3>\n

Livia Vonaesch, Switzerland, 2024, 94′, in German with Slovene and English subtitles<\/span>\u00a0<\/span><\/p>\n

Over the course of seven years, this documentary film follows an eight-member family living on a sailboat and traveling the world\u2019s oceans, challenging conventional views on education, home, safety, and relationships.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Selected by young programmers from the Elvira Vatovec Prade Primary School.<\/span><\/i>\u00a0<\/span><\/p>\n

Chronicles from the Siege<\/span><\/b>\u00a0<\/span><\/h3>\n

Abdallah Alkhatib, Algeria, France, Palestine, 2026, 98\u2019, ap + svp<\/span>\u00a0<\/span><\/p>\n

In a besieged city, people facing hunger, scarce medical care, snipers, and bombs persist in living their lives, seeking friendship, love, intimacy, and the pleasure of a cigarette.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Circusboy<\/span><\/b> (8+)<\/span><\/b>\u00a0<\/span><\/h3>\n

Julia Lemke, Anna Koch, Germany, 2025, 86′, in German with Slovene and English subtitles<\/span>\u00a0<\/span><\/p>\n

A documentary film about Santino,\u00a0a boy\u00a0who travels the world with his large circus family and animals, growing up listening to the wild stories told by his\u00a0great-grandpa.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Juggling\u00a0workshop<\/span><\/b>\u00a0<\/span><\/p>\n

After the screening,\u00a0try\u00a0your hand at juggling with the help of circus instructors from the\u00a0Cirkokrog\u00a0association.\u00a0<\/span>Admission is free for the workshop<\/span><\/i>.<\/span>\u00a0<\/span><\/p>\n

White Lies<\/span><\/b>\u00a0<\/span><\/h3>\n

Alba Zari, Italy, 2025, 99\u2019, ap<\/span>\u00a0<\/span><\/p>\n

In this personal documentary, the filmmaker sets upon a journey to dissolve the fog of lies and silence about her childhood, spent with her mother and grandmother in the Children of God cult in Thailand.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

With support from the Italian Cultural Institute.<\/span><\/i>\u00a0<\/span><\/p>\n

\u00a0Ta<\/span>lk: Alba Zari, Manuela Buono<\/span>\u00a0<\/span><\/p>\n

The\u00a0Reserve\u00a0 \/ La Reserva<\/span><\/b>\u00a0<\/span><\/h3>\n

Pablo P\u00e9rez\u00a0Lombardini, Mexico, 2024, 93\u2019,\u00a0ap\u00a0+\u00a0svp<\/span>\u00a0<\/span><\/p>\n

In this gritty environmental thriller, the lines between duty, sacrifice, and survival begin to blur for forest ranger Julia as she fights illegal loggers destroying the forest around her village.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Video on the Beach IV: Distinctive Space<\/span><\/b>\u00a0<\/span><\/h3>\n

Everything I’ve Ever Wanted to Hear<\/span><\/b>, Ema Pa\u0161, SSlovenia, 2025, 21\u201959\u2019\u2019, <\/span>The Girl Who Wasn\u2019t Afraid of Bears<\/span><\/b>, Lea Vu\u010dko, Slovenia, Croatia, Hungary, 2025, 20\u2019,<\/span>\u00a0One Meter Is Six Centimeters<\/span><\/b>, Ju\u0161 Jeraj, Atila Urban\u010di\u010d, Slovenia, 2025, 11\u201926\u2019\u2019, <\/span>Arachnophobia<\/span><\/b>, Melita Sandrin, Slovenia, 2025, 2\u201949\u2019\u2019, Dog and Wolf<\/b><\/span>\u00a0\/ Pes a vlk<\/span><\/b>, Ter\u00e9zia Halamov\u00e1, Czech Republic, 2025, 20\u2019, Stone of Destiny<\/b><\/span>\u00a0\/ K\u00e1men Osudu<\/span><\/b>, Julie \u010cern\u00e1, Czech Republic, 2025, 10\u201926\u2019\u2019, <\/span>HYENA<\/span><\/b>, Altay Ulan Yang, USA, China, 2025, 21\u2019<\/span><\/p>\n

\"\"<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n\n

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Sunday, 14. 6.<\/span><\/span> 2026<\/span><\/h3>\n

Lampie \/ Lampje \u2013 de film <\/span><\/b>(10+)<\/span><\/b>\u00a0<\/span><\/h3>\n

Margien Rogaar, The Netherlands, 2024, 94′,\u00a0 in Dutch with Slovene subtitles<\/span>\u00a0<\/span><\/p>\n

Lampie, the daughter of a lighthouse keeper, must light a lamp every night to warn ships away from the rocks. But\u00a0after a\u00a0stormy night, she befriends Edward, a\u00a0boy\u00a0with a fish tail.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Film and sea walk<\/span><\/b>\u00a0<\/span><\/p>\n

After the screening, join curators from the local Maritime Museum to learn many more interesting facts about the sea.\u00a0<\/span>Admission is free for the walk.<\/span><\/i>\u00a0<\/span><\/p>\n

In the Land of Arto\u00a0\/ Le Pays d\u2019Arto<\/span><\/b><\/h3>\n

Tamara Stepanyan, France, Armenia, 2025, 104\u2019, ap + svp<\/span>\u00a0<\/span><\/p>\n

After her husband dies, C\u00e9line travels to his hometown in Armenia, in the heart of a country plagued by constant armed conflict, where she is confronted with his secrets and the ghosts of past wars.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Talk: Tamara Stepanyan<\/span>\u00a0<\/span><\/p>\n

Daisies\u00a0 \/ <\/span><\/b>Sedmikr\u00e1sky<\/span><\/b><\/h3>\n

V\u011bra Chytilov\u00e1, Czechoslovakia, 1966, 76′, sp + avp<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Teenagers Marie I and Marie II\u00a0are\u00a0passionately\u00a0eager\u00a0to dismantle the world of constraints,\u00a0compartments, and rules of patriarchal culture. A gem of the Czech New Wave, the film is a blend of anarchy and cinematic experimentation.<\/span>\u00a0<\/span><\/p>\n

Screened\u00a0with:<\/strong>\u00a0<\/strong>
\n<\/span>The Gratinated Brains of Pupilija Ferkeverk\u00a0\/ Gratinirani mozak Pupilije Ferkeverk
\n<\/span><\/b>Karpo Godina, Serbia, Slovenia (Yugoslavia), 1970, 11\u2019, svp + avp <\/span>\u00a0<\/span><\/p>\n

A collage of scenes bathed in various lights and the iridescent hues of the sky above salt pans.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Young programmers talk to: Karpo Godina<\/span>\u00a0<\/span><\/p>\n

The two films were selected by young programmers in collaboration with the Slovenian Cinematheque.<\/span><\/i><\/p>\n

White Snail<\/span><\/b>\u202f<\/span>\u00a0<\/span><\/h3>\n

Elsa\u00a0Kremser, Levin Peter, Austria,\u00a0Germany, 2025, 115′,\u00a0ap\u202f<\/span>\u00a0<\/span><\/p>\n

Physicality, beauty, death, and love through the eyes of a girl who dreams of a modelling career and a boy who works in a morgue while pouring his inner world\u2014which he rarely shares with others\u2014into his paintings.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

With support from the Austrian Cultural Forum.<\/span><\/i>\u00a0<\/span><\/p>\n

The\u00a0Last One\u00a0for\u00a0the\u00a0Road\u00a0\/ Le\u00a0citt\u00e0\u00a0di\u00a0pianura<\/span><\/b>\u00a0<\/span><\/h3>\n

Francesco\u00a0Sossai, Italy,\u00a0Germany, 2025, 100\u2019,\u00a0sp\u00a0+\u00a0avp<\/span>\u00a0<\/span><\/p>\n

A chance encounter grows into a chaotic journey through the Venetian plains, where plans are constantly thwarted by bad advice, hangovers, and unexpected friendships.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

With support from the Italian Cultural Institute.<\/span><\/i>\u00a0<\/span><\/p>\n

Screened\u00a0with:<\/strong>\u00a0<\/strong>
\n<\/span>In the Clouds of Memory \/ <\/span><\/b>Nelle\u00a0nuvole\u00a0della memoria<\/span><\/b>
\n<\/span>Francesco\u00a0Sossai,\u00a0Italy,\u00a0Slovenia, 2025, 8′,\u00a0sp\u00a0+\u00a0avp<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

A man returns from a future in which the art of cinema no longer exists, searching\u00a0for\u00a0a copy of a film starring Nora Gregor.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

In collaboration with\u00a0Kinoatelje.<\/span><\/i>\u00a0<\/span><\/p>\n

See\u00a0You\u00a0Beyond\u00a0the\u00a0Horizon<\/span><\/b>\u00a0<\/span><\/h3>\n

Afro-Cuban\u00a0fever\u00a0from\u00a0the\u00a0Adriatic\u00a0hinterland<\/span>\u00a0<\/span><\/p>\n

The fever of Afro-Cuban rhythms from the fiery fingers of local Bend-it! Orchestra promises to sweep up Istria from its free-spirited yet down-to-earth lyricism.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/span><\/p>\n

Video on the Beach V: Unfixed Space<\/span><\/b>\u00a0<\/span><\/h3>\n

Loynes<\/span><\/b>, Dorian Jespers, Belgium, France, North Macedonia, UK, 2025, 25\u201903\u2019\u2019, <\/span>Nazorjeva\u00a0Street<\/span><\/b>, Matev\u017e Jerman, Rok Kajzer Nagode, Niko Novak Slovenia, 2025, 11\u201927\u2019\u2019, <\/span>Dollhouse Elephant<\/span><\/b>, Jenny Jokela, Finland, 2025, 11\u201911\u2019\u2019, <\/span>The Dark Hill<\/span><\/b>, Vanja Milo\u0161 Jovanovi\u0107, Slovenia, 2025, 14\u201937\u2019\u2019,<\/span>\u00a0Baby Money<\/span><\/b>, Matja\u017e Jamnik, Gaja Naja Rojec, Slovenia, 2025, 15\u201913\u2019\u2019, No Contest<\/b><\/span>\u00a0\/ La Premi\u00e8re Marche<\/span><\/b>, Olivier Wright, France, 2025, 18\u201902\u2019\u2019, <\/span>No Photos Please<\/span><\/b>, Asiana Jurca Avci, Ur\u0161a Rahne, Slovenia, 2025, 6\u201909\u2019\u2019, <\/span>Women’s Club<\/span><\/b>, An\u0111elina Petrovi\u0107, Slovenia, 2025, 3\u201956\u2019\u2019<\/span><\/p>\n

\"\"<\/p>\n <\/div>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[…]<\/p>\n

Read More…<\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/about.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6735","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/pages\/6735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/comments?post=6735"}],"version-history":[{"count":84,"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/pages\/6735\/revisions"}],"predecessor-version":[{"id":14170,"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/pages\/6735\/revisions\/14170"}],"wp:attachment":[{"href":"https:\/\/kinootok.org\/en\/wp-json\/wp\/v2\/media?parent=6735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}