1.0Kino Otok - Isola Cinemahttps://kinootok.org/en/Nika Osredkarhttps://kinootok.org/en/author/nika-osredkar/rich600338<blockquote class="wp-embedded-content" data-secret="DEKJtUgeak"><a href="https://kinootok.org/en/event/vasko-pregelj-the-constants-of-vanishing/">Vasko Pregelj – The Constants of Vanishing</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://kinootok.org/en/event/vasko-pregelj-the-constants-of-vanishing/embed/#?secret=DEKJtUgeak" width="600" height="338" title="“Vasko Pregelj – The Constants of Vanishing” — Kino Otok - Isola Cinema" data-secret="DEKJtUgeak" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://kinootok.org/wp-includes/js/wp-embed.min.js /* ]]> */ </script> In the second half of the 1960s, Vasko Pregelj made a series of graphically well thought-out, darkly grotesque, and baroquely surrealist experimental films, in which he masterfully and originally intertwined both the key tendencies of the first historical avantgardes, directed towards expanding and exploring the formal capacities of the medium, and an element – which was absolutely modern at the time – of later avant-gardes, which saw in film a lyrical possibility of most directly expressing one’s intimate emotional states. [...]Read More...https://kinootok.org/wp-content/uploads/2024/05/kinootok-2024-1024x479.png1024479